Together in the Garden
The Friends
The conversation at the end of this poem...
The conversation at the end of this poem shows it is not a real event. The dream ends when the young women of Jerusalem ask the woman where her man has gone. The woman tells them not to worry about finding him—he is back in bed with her, enjoying his garden with its spice beds and lilies, which describes sexual intimacy.
The Bride
2My beloved has gone down to his garden,to the beds of spices,to pasture his flock in the gardensand to gather lilies.3I belong to my beloved and he belongs to me;he pastures his flock among the lilies.The Bridegroom
The man describes the woman's physical beauty again....
The man describes the woman's physical beauty again. He repeats parts of the description from Song of Solomon 4 almost word for word, showing his high regard for his wife.
If the Song were an allegory of the...
If the Song were an allegory of the Lord’s love for his people, it would be a weak comparison. Solomon's many marriages poorly represent God's love and faithfulness (see 1 Kings 11:1–13).
sixty queens: Solomon married many wives through international treaties (see 1 Kings 11:1–3, 8).
Concubines were wives with lower status than a primary wife but higher than a slave. People acquired concubines through war, debt repayment, or purchase.
In the anthology view, mentioning queens and concubines means the woman is more desirable than all others.
If the Song were an allegory of the Lord’s love for his people, it would be a weak comparison. Solomon's many marriages poorly represent God's love and faithfulness (see 1 Kings 11:1–13).
sixty queens: Solomon married many wives through international treaties (see 1 Kings 11:1–3, 8).
Concubines were wives with lower status than a primary wife but higher than a slave. People acquired concubines through war, debt repayment, or purchase.
In the anthology view, mentioning queens and concubines means the woman is more desirable than all others.